III Crimsonstreak speeds off!

Although it's much later than I intended, III Crimsonstreak is racing (via email) toward Candlemark & Gleam!

I finished the appendices this week, and the book weighs in at a meaty 102,000 words. To put that in perspective, the previous two books were about 95,000 words each (with II Crimsonstreak being slightly longer than I, Crimsonstreak in total length).

In its current, unedited form, III Crimsonstreak's main story is about 85,000 words (similar to II Crimsonstreak, which was about 84,500 words but considerably longer than the original book, which was a much briefer 72,000 words).

As for the appendices, the third book is about 17,000 words. That's more extra material than II Crimsonstreak (11,000 words) and less extra material than I, Crimsonstreak (a whopping 23,000 words). The extra length of the third book's appendices is due to a long-form magazine article and a pair of short stories.

And, just because I like to fiddle with Photoshop, here's a completely unofficial mockup of a promotional banner:

Fanboy Comics interview

I chatted with Fanboy Comics this week about I, Crimsonstreak and II Crimsonstreak.

The interview with managing editor Barbra J. Dillion touches on lightening up the superhero genre, works in progress, and other superhero goodness:

BD: How soon may readers anticipate the final installment of the trilogy, III Crimsonstreak? Have you already begun work on the book?

MA: I’ve finished the first draft of III Crimsonstreak and am working on revisions before I submit it. It’ll be approximately the same length as the second book and tie up the plot. The third book’s in a pretty good place right now as far as first drafts go. I’ve got some character moments to nail down and some third act plot machinations to smooth out. I expect a release late summer/early fall next year as long as I get it submitted early enough.

Be sure to check out the entire interview.

Cautionary Crimsonstreaking: Don't submit until you're ready

Note: the following is re-posted from a guest post on Candlemark & Gleam's website

Don’t submit your stories before they’re ready… or before you’re ready.

Just… don’t.

I originally wrote I, Crimsonstreak in 2007. Back then, the book had no appendices and consisted of about 50,000 words. The basic framework of the story—an imprisoned superhero busts out of prison to find his father in charge of a fascist world government—was there. From a very basic structural standpoint, many elements of the original draft are recognizable when compared to the published version.

Over a period of four years, from 2007 to 2011, I whipped it into shape, polishing things, adding scenes, tweaking dialogue, etc. I even queried agents. I laugh at that now—Crimsonstreak wasn’t ready. There are no fast tracks to publication, even if you’re the Fastest Man on Earth.

By 2009, I came to my senses and stopped querying. I realized the book wasn’t ready. More importantly, I wasn’t ready. You see, young writers tend to think their first book is absolute gold. They think someone should recognize their talent and dispatch a dump truck full of money to their driveway. I was young, I was creative, and I thought that’s how it would work. Looking back, I now know that’s a clear indication of how ready I wasn’t.

Truly, Crimsonstreak didn’t start to take shape in its current form until late 2010. I set fire to the manuscript and made radical changes. More importantly, I sent it to a beta reader, a ruthless colleague who isn’t afraid to use phrases like “this doesn’t work” and “that doesn’t make sense” and “where in the hell is the character arc here, Adams?” and “you realize this whiny Warren Kensington IV character is terrible, don’t you?” We bounced ideas back and forth. I made more changes.

Our conversations were pivotal. Whiny Warren Kensington IV became a stronger character. The legacies of Crimsonstreak, his parents, and the Crusading Comet became intertwined. I found a way to introduce tension among Warren, Morty, and Chris—tension that was far more personal than it was in prior drafts.

I sank four years into Crimsonstreak. After giving it another three months, I felt it was as good as it was going to get.

I sent it to Candlemark & Gleam in the summer of 2011. Make no mistake: this was Crimsonstreak’s last stand. Had there not been a request for the full manuscript, Crimsonstreak and company would likely be sitting on my hard drive as “crimsonstreakcometrevision.doc.” I would’ve moved on.

To my utter delight, Kate Sullivan saw potential and requested the full manuscript. We made more changes—if there’s anything you need to understand about writing, it’s that there are always changes. Overall, though, the published version of I, Crimsonstreak isn’t much different from the version submitted in May 2011.

On the other hand, it’s worlds apart from the 2007 version with the file name “Hero.doc.”

Now here’s the funny thing. While a young writer gets a little full of himself or herself for no reason, an “experienced” writer does, too. When I started writing the sequel, I produced a first draft, showed it to my beta reader, made some revisions, and then sent it off.

II Crimsonstreak was not ready. There’s no way I should’ve sent the book away. I had character arc problems, I had an excess of plot aerobics, I had an “ending” that relied too heavily on shock with no real resolution or reflection.

I know that now. I should’ve known it then. Maybe, deep down, I did, but thought my newly acquired skills as Published Author would override any issues with the book.

It doesn’t work like that.

The development cycle for the sequel was much shorter. This isn’t to say you can’t write a good book in a short amount of time. It’s certainly possible, and some authors can pull it off. I wasn’t that guy yet. I just thought I was.

I concocted this story about multiple realities and rival factions. I forged ahead with an outline that touched upon basic plotting, character arcs, and scenes. Then I went to work. A thousand words a day. Then, 2,000 words a day. Sometimes even 5,000 words a day. First draft. Boom. Done.

Back up the dump truck full of money.

My “outline” was a couple of pages written in my trusty “idea notebook.” It didn’t actually outline anything. I was planning a road trip that marked the start and end points without considering things like road construction, speed limits, rest stops, or scenic routes.

Even worse, I made a major change without re-plotting the story. The result was a muddled mess. Characters’ goals were unclear. The motivation of the villains was unclear. Jaci Graves, a terrific character, got pulled into “token love interest” territory, a role that she would absolutely punch me in the jaw for assigning her.

My beta reader brought up these issues. I “fixed” them. Even though I needed to do more work, I sent II Crimsonstreak to C&G. Part of it was eagerness—I wanted Kate to read the story. Part of it was stubbornness—I didn’t want to miss a self-imposed deadline. Part of it was brashness—I figured the book’s strengths and my strengths as an author would carry it through.

I was partially right about the last part, but not because of the book.

If II Crimsonstreak had been the first thing I’d ever sent to C&G, it would’ve been rejected. However, Kate and I had a good, collaborative relationship from when we polished Crimsonstreak, so she had confidence that I could take that mess and turn it into a good book.

Revisions lasted three more months as I waded through notes and added new touches. I scrapped some self-indulgent passages, streamlined the plot, wrote an actual ending (well… kind of), and developed clearer character arcs.

It all worked out in the end, but I learned some valuable lessons along the way—proving that Published Author doesn’t know anything.

Let’s use some bullet points to hit my main ideas:

• Don’t submit anything before you’re truly ready; for the most part, you get one shot
• Outlines are good and can focus you; they don’t have to be super-detailed chapter-by-chapter summaries, but they should have some substance
• If you make a major plot or character change, adjust your outline so you have a good idea where that change will take you; you’ll burden yourself with a lot of work otherwise
• In some ways, the second book is harder than the first; development time will be shorter, you may be overconfident, and the resulting novel could very well get messy
• Revisions are a major part of the process; you don’t have to like them, but you sure as heck had better get used to them if you want to put out a good book
• Building a good relationship with an editor and working hard for them will buy you some goodwill when your novel doesn’t quite turn out as well as you’d hoped
• Do not turn Jaci Graves into a token love interest; she will punch you in the jaw

Decent writing weekend

I didn't have a great writing weekend on III Crimsonstreak, but I turned in a decent effort. Friday netted only 1,000 words. I rebounded with 3,000 words on Saturday.

I fared better on Sunday despite a terrible start. After several hours in front of the keyboard, I ended up with only 1,600 words. I went back in the evening and pounded out another 3,000 words, bringing my total for the day to 4,600 words. For the weekend, I finished with 8,600 words. That wasn't quite the success story from a couple weekends ago, when I averaged 5,000 words over a three-day span.

The first draft now stands at more than 82,000 words. I'm wrapping up the main storyline now. The last act will need some major revisions--I'm again juggling a lot of characters and my "character geography" is a little off--but the important thing is that I kept at it. I think the first three-fourths of the book are solid since much of that is revised from a previous, inferior version of the story.

I will end up making a flowchart for the final battle because I need one.

Boom, baby...times three!

I haven't dragged out the Reggie Miller Writing Continuum in a long, long time. However, after a blockbuster weekend of writing, I needed to do it. I hit the hallowed level of "Reggie at the Garden" on three consecutive days, churning out more than 15,200 combined words on Friday, Saturday, and Sunday.

I'm hoping to finish the first draft of III Crimsonstreak before the end of July. The draft currently stands at about 60,000 words and I'm aiming for 80,000 to 85,000. That does not, of course, include any supplemental materials.

Getting it covered

As I continue to work on self-imposed revisions to III Crimsonstreak, we're getting closer to the release of II Crimsonstreak. By closer, of course, I mean fall 2013. It'll get here before I know it.

I received an email from the publisher asking if I had any ideas for the cover.

Of course I did. OF COURSE I did.

I spend plenty of time writing and revising, but I also like to play around with Photoshop. So during a period of writing inactivity (shortly after the completion of the first draft of II Crimsonstreak), I started outlining some cover ideas for the sequel.

I did the same thing for I, Crimsonstreak. I mean, even when I wrote the first draft in 2007, I started coming up with cover concepts. They all SUCKED. Every single one of them. Like writing skills, Photoshop skills improve over time with practice. I toyed with the idea of self-publishing I, Crimsonstreak--seriously, it almost happened--before submitting to Candlemark & Gleam. Because of that, I came up with a bunch of cover concepts. I can't draw worth a lick, so I used stand-in heroes like Captain Canuck and the Flash for Crimsonstreak. I just enjoy tinkering with that kind of thing.

Were those attempts fantastic? Of course not. While I'm not terrible with Photoshop, I'm also not an expert. In addition, I've never been "trained" in publication design; I always go with my gut. I'm the kind of person who can tell you that I like or dislike something, but I often struggle with telling you why. Perhaps that's the essence of design.

When Candlemark & Gleam accepted I, Crimsonstreak for publication, Mastermind Kate asked me if I had any ideas for the cover. It was like asking a person who'd just returned from vacation if they had any pictures ("I just happen to have the slideshow ready, folks! Here we are booking the hotel online..."). I had probably six or seven concepts and emailed them.

The artist's original conception (the back cover picture of Crimsonstreak in a straitjacket) didn't quite give the right "feel" for the cover. When I saw the proofs of two new concepts, I was pretty darn surprised to discover that one of them was based on one of my ideas. We ended up getting a GREAT cover from artist Brooke Stephenson.

That's one of the cool things about going with a small press or self-publishing; you get a little more control over things like that. I've talked to other authors who've recounted stories of being shown their cover and told, "There it is. Enjoy!" While I'm sure it's not like that in every case, it's nice to have some input.

Update on projects

I really don't have a ton going on right now. I just wrapped up rather intensive revisions on II Crimsonstreak for Candlemark & Gleam. I still have a few things to shake out, but it's much stronger than it was before. That's the great thing about having an editor: they really help you stand outside your work and see how other people view it. I know there are writers out there who don't think they need help like that...but I think a good editor is essential for a great book. There's no way II Crimsonstreak was ready to go in the form I submitted. Part of that was my eagerness to get it out there. I should've worked on it for another month before submitting. Then again, sometimes you get so close to your work that you stop being able to actually "see" it, so sending it off and getting feedback was probably for the best.

I used a very light outline for II Crimsonstreak. Since that book needed so much reworking and lacked focus in many respects, I'm attempting a tighter plot for III Crimsonstreak. You see, the second book ends on a cliffhanger that I have to resolve. I was already about 70,000 words into III Crimsonstreak, but the revision on book two helped me see some real problems with the third book. I sat down and wrote a five page outline based on some of the stuff I'd already written for the book. I immediately deleted four chapters (about 10,000 words) and started revising what I'd written. What about the other approximately 60,000 words? Some of that will remain, some it will be modified, some of it will be merged with other parts of the book, and some of it will be scrapped altogether.

Once I get III Crimsonstreak into better form, I have another novel that I'm about 50,000 words into. Before I continue with this book--a kind of Three Amigos/Galaxy Quest/Redshirts mash-up--I want to check my character beats and get a tighter focus on how I resolve the plot. My outline isn't very detailed. After rereading the book two weekends ago, I think it's a great concept and the writing is very strong in points. I want to change around some character traits (one character is very whiny at first and then isn't so whiny later in the book...and I like the latter version) and get some specific notes on plot points I want to resolve.

I don't define myself as a plotter or a pantser, although reading the above probably makes you think I'm closer to the latter than the former. I outline my stories and write character bios/sketches, but as the book develops, things change. I see nothing wrong with "going with the flow," but it's clear to me that I struggle to resolve those changes with the existing progression of the book.

I've written about 9,000 words on another project that's heavily inspired by Les Misérables with a little Revolutionary War and masked avenger flavor thrown in for good measure. If I can pull this one off--I have ten page outline for it--it would be somewhat more literary than any of my other books. I'll just have to see what happens.

II Crimsonstreak is go!

I'm working on revisions for II Crimsonstreak right now. The book actually does exist.

Need proof?

Candlemark & Gleam made the announcement today.

Here's the quasi-official synopsis:

Three years after the climactic battle at the Clermont Institution for the Criminally Insane, Chris Fairborne a.k.a. Crimsonstreak chases down escaped supervillains while working feverishly to reestablish world governments in the wake of collapse of the New World Common Wealth.

His father, Colonel Chaos, sits in front of a Heroic Legion tribunal to answer for crimes against humanity. His mother, Miss Lightspeed, doesn’t seem herself following her unlikely resurrection. To make matters worse, Crimsonstreak encounters a being of pure speed not even he can outrun.

Sounds like the perfect time for an alien invasion, an encounter with a group of snobbish space cops, and the mysterious return of a long-dead friend with an unbelievable secret.

War will strain friendships. A multiversal threat will test loyalties. And you will believe a man-bird can fly in II Crimsonstreak.

We're looking at a release date of fall 2013.

Take 5 with Miss Lightspeed

Matt: We're set for another Take 5 today. Joining me is Karen Jo Fairborne, better known to the world as Miss Lightspeed. Thank you for being with us.

Miss Lightspeed: My pleasure, Matt.

Matt: Your husband is famous and infamous, your son equally so. How do you keep it all together?

Miss Lightspeed: Some days I don't know the answer to that one. Bill [William Avery Fairborne AKA Colonel Chaos] and Chris [Christopher Gregory Fairborne AKA Crimsonstreak] are a handful. When you add saving the world to that equation...life gets tricky. I try to do the typical "mom" things, you owe that to your children, but I have another set of responsibilities to juggle. I've learned how to prioritize over the years, and I hope I've taught my family that injustice and poverty are just as important to fight as the average villain of the week.

Matt: Do you think your husband and son have gotten that message?

Miss Lightspeed: For the most part, I believe so. It was much harder on Chris when he was younger. Now that he's getting older, I believe he really understands why I have to be away from home sometimes. And Bill...well, my husband is like me in many ways. He doesn't love it when I'm gone, but he knows I'll go where I'm needed when I'm needed.

Matt: Let's talk a little bit about the Super Diplomats Corps. This has been a controversial undertaking for a woman who's been so beloved worldwide.

Miss Lightspeed: Is there a question in there? Or are you going to browbeat your viewers with opinions disguised as questions?

Matt: (bites lip) What can you tell us about the Super Diplomats Corps?

Miss Lightspeed: (smiles) The Corps is one of my passions. Superheroes shouldn't be limited to stopping bank robberies and taking down supervillains. There's a bigger picture we have to see. We have to take a look at society and see where things are going wrong; where injustices go unnoticed. I had the idea for a team of heroes that would look at these international crises and find ways to solve them. I was fortunate enough to encounter like-minded individuals who joined the cause. Our primary goal is humanitarian aid and social justice. It may not get as much attention as throwing a bad guy through a window, but I argue that it's more important.

Matt: You've taken some heat for intervening in certain countries. How do you respond to those who are critical of your efforts?

Miss Lightspeed: I'm assuming you're referring to our operations in places like Cuba, Iran, and North Korea?

Matt: That's correct.

Miss Lightspeed: To look at the leaders of a country and then assume all the people are the same way just isn't right. Those people need just as much help--probably more--than anyone else. How is a disaster in Paducah, Kentucky, or Las Vegas, Nevada, any different than one in Pyongyang or Tehran? Do those people suffer any more? Any less? Why refuse to provide humanitarian aid in a crisis? How does that improve the world? The Super Diplomats Corps sees the global picture. We're all in this together. I know that's a simplistic way of looking at things, but superheroes are here to help. If that means extending an olive branch to countries that aren't "in the club," so be it.

Matt: Clearly, this is a passion for you. I suppose anyone who gives you flak for this would have to deal with your husband.

Miss Lightspeed: They'd have to deal with me first. Bill could take whatever's left.

Matt: Let's get to the last question now. What do you think of the Heroic Legion?

Miss Lightspeed: (inhales deeply) Well...that could be five questions on its own. The group means well, but sometimes they're too bureaucratic for my tastes. They make a motion, they take a vote, they make a motion about the vote, vote on the motion, and then, if we're lucky, they take action. It's not that I don't have respect for governments and policies, because I believe that's where everything starts. In a crisis, people need to see their leaders take quick and effective action. Sitting in a room and delaying what you know to be the right response doesn't help anyone. I wish the Legion understood that. I think, deep down, they do.

Matt: Thank you for joining me today, Miss Lightspeed. You can read more about her and the Fairborne family in I, Crimsonstreak, available at these fine retailers:

Candlemark & Gleam Website
Amazon Paperback
Amazon Kindle Edition
Barnes & Noble
Barnes & Noble NOOK Book

BACK TO CRIMSONSTREAK CENTRAL!

Take 5 with Crimsonstreak

Matt: Thanks for joining me on the blog today.

Crimsonstreak: Sure. A question, though. Haven't you written enough about me by now?

Matt: I'm asking the questions here, pal.

Crimsonstreak: (smirks) We'll see about that.

Matt: What's your favorite movie?

Crimsonstreak: You're really going in-depth, Katie Couric-rabid-reporter for this one, aren't you?

Matt: We're trying to help people get a character snapshot of you.

Crimsonstreak: Sounds more like you're trying to sell some books to me. Anyway, what do I know?

Matt: I said I'm asking the questions here.

Crimsonstreak: Whatever you say, buddy.

Matt: This is supposed to be a five-question interview.

Crimsonstreak: Can I help it if you're a crappy interviewer?

Matt: You're right. I can't help it if you're a crappy interviewee.

Crimsonstreak: All right, now you're playing ball. Favorite movie of all time...gotta say Return of the Jedi.

Matt: Interesting choice. Most people consider that the most inferior of the Original Trilogy.

Crimsonstreak: I'm not most people.

Matt: I'm getting that impression. Second question here: how fast can you run?

Crimsonstreak: (looks around the room) Who let this guy in? Man, I've gotta get a publicist. I'm fast. Faster than fast. Fastest man on earth. (now seated with food) I just ran to New York for shwarama. You didn't even know I was gone. So, dude, fast.

Matt: You can't pull out a shwarama reference. You haven't even seen The Avengers. Your book's set in like 2010. The sequel isn't even finished yet. I haven't decided if the Marvel Studios movies happened in your timeline.

Crimsonstreak: Sounds like somebody enjoys playing God.

Matt: This is intolerable.

Crimsonstreak: Yes, yes you are.

Matt: (sighs) Let's just try to get through this. Third question: what's with you and Jaci Graves?

Crimsonstreak: That topic is off limits.

Matt: That's right. You only answer "softball" questions.

Crimsonstreak: You're awful, you know that? We used to be a thing, then we weren't. Now...maybe we are again.

Matt: Does she know that?

Crimsonstreak: I don't know. Ask her.

Matt: We do have her scheduled for an upcoming Take 5.

Crimsonstreak: (waves hands) Don't ask her.

Matt: Of course. I'll respect your wishes.

Crimsonstreak: You could at least pretend to sound like you meant that.

Matt: We're rounding third here on this interview.

Crimsonstreak: If this were a four-question interview, that might make sense.

Matt: I'm going to ignore that. Fourth question: from a political standpoint, how will the Heroic Legion help the country recover from the New World Common Wealth? Keep it as spoiler-free as possible.

Crimsonstreak: You are the world's worst interviewer.

Matt: Thank you.

Crimsonstreak: (shrugs) I guess they'll redraw state borders and establish a provisional government or something. Find some lawmakers to help everything get back in balance. Work on the different levels of local government to bring everything back to the way it was. Then there will be elections...and something about the Constitution.

Matt: Don't ever run for office. Please. Okay, last question: who's your least favorite superhero?

Crimsonstreak: In comic books or real people?

Matt: By "real people," you mean people you know, right?

Crimsonstreak: You're a genius.

Matt: Just answer the question.

Crimsonstreak: Did you even read the book you wrote? Don't answer that. My least favorite superhero is Scarlet DashBoy. That little...

Matt: This is a family blog.

Crimsonstreak: (grumbles)...pipsqueak...is very off-putting. Wears red, runs fast...does that sound familiar?

Matt: Actually, it does sound familiar.

Crimsonstreak: (points emphatically) Thank you.

Matt: I mean...it kind of sounds like the Flash.

Crimsonstreak: (leans forward in chair) You know where you can stick your book?

Matt: At one of the fine retailers listed below?

Crimsonstreak: Well played, Adams. Well played.

I, Crimsonstreak is available at these fine retailers in a variety of formats:

Candlemark & Gleam Website
Amazon Paperback
Amazon Kindle Edition
Barnes & Noble
Barnes & Noble NOOK Book

BACK TO CRIMSONSTREAK CENTRAL!

I, Crimsonstreak: The Big Cover Reveal!

They say you should never judge a book by its cover, but I think we all do it anyway.

I, Crimsonstreak does indeed exist! Now, we have a cover to prove it!

The next image is the full "wraparound" version of the cover...you can see the artwork on the spine and the copy on the back jacket. You should be able to click on the image for a larger version of the cover that will allow you to read the back jacket copy.

If you can't get it to work, here's what it says:

Framed by his father, "reformed" supervillain Colonel Chaos, super-speedster Chris Fairborne AKA Crimsonstreak, is sent to the Clermont Institution for the Criminally Insane. A hero surrounded by dastardly inmates and heartless guards, Chris struggles to keep his wits about him, until the arrival of some unexpected new "guests" at the facility provides him with a means for escape. Once out, though, he discovers that the world he knew is gone, replaced by a fascist, supposedly utopian state run by none other than Colonel Chaos himself.

With the heroes of the world locked away or fighting in a disorganized resistance, Crimsonstreak teams up with a snarky British butler and a teenage superhero-to-be. Together, the unlikely (and bickering) allies must take down Crimsonstreak's dad and set the world right again.

Thanks to Brooke Stephenson for the fantastic cover art. You can find out more about her here.

Look for I, Crimsonstreak on May 15 from Candlemark & Gleam! We'll have information for pre-orders very, very soon.

I, Crimsonstreak: New World Common Wealth Timeline

April 16, 2000 – Miss Lightspeed dies following an encounter with the supervillain Zeus Caesar.

2001-2005 – Chris Fairborne and Colonel Chaos become increasingly estranged as Chaos experiments with different ways to bring Miss Lightspeed back. Their father-son relationship is permanently damaged when Chaos employs a woman named Mimicry to portray his dead wife. Chaos also makes several attempts to clone Miss Lightspeed. During this time, Chaos sketches out plans for a one-world government called the New World Common Wealth.

April/May 2006 – Unable to cope with the pressure of assuming Miss Lightspeed’s form all the time, Mimicry commits suicide. Colonel Chaos experiments with an interdimensional transporter.

January 2007 – After several failures, Chaos successfully tests the interdimensional device and pulls an alternative Miss Lightspeed (Lightspeed 2) into his dimension. He hides the discovery from the rest of the world and establishes a secret base of operations in the Caribbean.

May 2007 – Alternate-reality Colonel Chaos (Colonel Chaos 2) makes his first attempt to transport himself to a new dimension to save his missing wife. The experiment results in an explosion that destroys the Fairborne family’s hometown. Chris Fairborne arrives to investigate, and Chaos 1 believes his son’s super-speed has grown unstable. To protect the world from his son’s powers, he pins the explosion on Chris and sends him to the Clermont Institution for the Criminally Insane. The estrangement of father and son is complete.

Mid-June 2007 – Colonel Chaos 2 successfully transports himself to the new reality. Chaos 2 and Lightspeed 2 team up on Chaos 1 and subdue him after a protracted fight. Before his defeat and capture, Chaos 1 erases his son’s existence from his computer database. Chris Fairborne’s whereabouts are lost to the world.

Late June 2007 – With Chaos 1 in stasis, Chaos 2 uncovers plans for a one-world government called the New World Common Wealth. He begins consolidating U.S. resources for a full-scale global takeover, but several nations resist.

August 2007 – First contact made with extraterrestrial beings known as the Kiltechs. Alien invaders appear peaceful at first, but eventually reveal their true intentions by slaughtering a group of world leaders during a peace conference. Chaos 2 assembles a provisional council to oversee a united resistance called the New World Common Wealth. Miss Lightspeed returns to public service. The circumstances surrounding her resurrection are murky.

August 2007-September 2008 – Chaos 2 and his forces fight against the Kiltech invaders. The Kiltechs blockade the earth, and overestimate the effectiveness of their occupying force. The miscalculation allows Chaos 2 to rally more countries and superheroes to his cause, but the alliance is shaky.

January 2008 - President Conrad assassinated.

March 2008 - Colonel Chaos welcomes his son Christopher Fairborne back, telling the world his son has been rehabilitated and is ready to serve.

September 2008 – The Kiltechs destroy the West Coast, galvanizing the resistance movement. Chaos 2 calls for a final offensive against the alien invaders. A coalition of superheroes destroys the Kiltech’s main ship, and the remaining alien force retreats. Chaos 2 dissolves the provisional council and the Heroic Legion. With his popularity at an all-time high, he redraws state and international borders as his New World Common Wealth gains power.

2010 – Chris Fairborne escapes from the Clermont Institution for the Criminally Insane.

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