Wednesday, April 4, 2012

Ten Things About Writing

An idea, frankly, is just an idea. How many times have you thought it? How many times have I thought it? "I have this idea for a book." Terrific. Really. I'm very proud of you. Me. Us. Editors don't really care. Agents don't either. You know why? An idea isn't a manuscript. They can't sell, revise, or market an idea. They can, however, do those things with a manuscript. So write it.

Writing is revising. Revising is writing. You've toiled for months--maybe even years--to complete that ever-elusive first draft. Now you're ready to publish it! Right? Right? (maniacal laughter) No. You need to put that manuscript away for a few weeks or a month, get it out of your "mindspace" and come back to it. You'll be able to turn it into Swiss cheese, see the flaws, and make it better. After that, give it to other people to read. Let them rip it to shreds make suggestions and then revise it again. Even after a publisher/agent accepts your book, more revisions are in your future. The Writing. Never. Stops.


One book contract, and you're set for life. I recently decided to make a career change because my job drove me insane. A lot of people thought I did it because I have a book coming out. I'm not finished working a day job, folks. A common misconception is that getting a book published = big trucks full of money backing into your driveway. That's not how it works. In order to make money writing, you have to sell books. I haven't sold a single book yet, thus I haven't seen any writing money yet.

To go with this one...

Everyone gets an advance. No, they don't. Publishing has imploded over the last few years thanks to the struggling economy and uncertainty surrounding ebooks. Publishers are stingier than ever when it comes handing out big-money advances, which are the exception and not the norm. Depending on what you read, the average advance ranges between $5,000 and $10,000, although that's the norm from a few years ago. The number is probably on the lower side of that. If you go with a small press (as I did), you won't get an advance at all (the tradeoff is higher royalties on print/electronic editions, although you don't have to pay for editing, typesetting, book cover, etc.). If you self-publish, you'll make money off your sales, but may have expenses of your own to account for such as cover art, editorial services, etc.

"The publisher will take care of it." The publisher takes care of a lot, believe me. Cover design, typesetting, promotion, marketing, and editing are just a few things I've had help with. However, in order for my book to be a success, it's going to take more than just Candlemark & Gleam helping me polish it and send it out to the world. As an author, you're going to have to do some of your own promotion. You'll probably want to establish some kind of online presence (social media, website, etc.). You may have to call/email stores/bloggers to arrange signings and/or guest posts. "Writing," it seems, isn't simply "writing" these days. Just FYI.

You have to have an agent. Listen, agents can be very helpful. I know that. Early in my writing career, I thought I absolutely needed one. There was no way to get published otherwise. Query letters sent. Rejection. Rejection. Rejection. I didn't know what I was doing. My query letter stunk. It was awful. Come to think of it, so was the book. I went back, worked very hard on it, and met my publisher on Twitter. It's been wonderful. Going through the book contract was intimidating, yes, but I managed not to sign away my firstborn. I did the deal without an agent, which is fine if you're working with a small press.


Become a constant reader. I read a lot in high school. Less so in college. A little more after graduating, but not enough. The Kindle has really helped here with the ease of accessing new books. Writers need to read to see the techniques other authors use. It helps you stay up on current trends and learn about your genre. I failed to do this earlier in my writing career, and I think I suffered for it. I don't mean you have to read three books a week, but keep your mind sharp; it will help with your writing.

Become a constant writer. The old "2,000 words a day" method is hard for me to stick to. I have other commitments, and sometimes I'm lucky to put down a few hundred words. You have to commit to sitting in front of the computer (or holding that trusty notebook) for a certain time each day. Maybe it's just a blog post or a short journal. Maybe it's three chapters of your book. I don't care what it is. Write, write, write, and then write some more.

Give short fiction a shot. I think I'm probably a novel guy. I like to write long-form stories with several different characters and multiple plot threads (note: I didn't say I was good at it; just that I like to do it that way). My first real attempts at writing included novels. I stepped back for a bit and wrote a bunch of short stories. I really liked this. A short story is a miniature novel; you do the same thing on a much smaller canvas. This is a great place to learn word economy, story structure, and different styles. It's not for everyone...some people are just born to be novelists...but writing a book can be a grind. A short story can be a great breather.


The interrobang exists, and it is phenomenal. I tend to use too many exclamation marks. I often combine exclamation marks and question marks into long strings. Like, "What the heck!!???" for example. That's okay for Facebook or a text message. In a book, embrace the interrobang (?!). Question mark first, then exclamation mark: "Huh?!" Resist the urge for long strings of punctuation. Give it the interro-BANG! right in the kisser!

Tuesday, April 3, 2012

Seven Great Superhero Cartoons

I've read a few comic books, but my interest in superheroes was primarily cultivated while watching cartoons as a kid. Here's a look at seven great superhero cartoons that have influenced I, Crimsonstreak.


Batman: The Animated Series: This is probably the crown jewel of them all. Batman: TAS combines great animation and writing to create what I consider the definitive version of the Caped Crusader. The Art Deco styling is gorgeous, Kevin Conroy is pitch-perfect as the Dark Knight, Mark Hamill rocks it as the Joker, and everything just "works" in this fantastic interpretation.


Justice League/Justice League Unlimited: This series opened the door for a flood of terrific animated tales featuring the DC Comics universe. Justice League is a fantastic show with a well-rounded voice cast, solid writing, and its own signature look. Once the "main" stories were told, we were treated with Justice League: Unlimited, which gave us the adventures of some of DC's lesser known heroes and heroines like Booster Gold, the Question, and Dr. Fate.


The Tick: I will never, ever pass up an opportunity to declare my love for the Mighty Blue Avenger. The Tick ran for three seasons on Fox in nineties, and remains one of my all-time favorites. Featuring the goofy nigh-invulernable Tick and his unfortunate sidekick Arthur, the show admirably lampooned the superhero genre. Populated with off-kilter characters like Die Fledermaus, Sewer Urchin, American Maid, Dinosaur Neil, and Thrakkorzog, this one always coaxes a smile.


Darkwing Duck: Often forgotten, this kid-friendly Disney cartoon from the early nineties featured a brooding Batman-like hero named Darkwing Duck, an amalgamation of Batman, the Shadow, and various pulp heroes. A melodramatic hero, he often appeared out of nowhere announcing to villains, "I am the terror that flaps in the night." The show was a spinoff of DuckTales and featured Launchpad McQuack as the sidekick. Villains included Darkwing doppelganger Negaduck, Megavolt, and Quackerjack.


Young Justice: This is the newest entry on this list. Young Justice features several younger heroes in the DC Universe with powers similar to established champions of justice. Kid Flash, for example, is a super-speedster like the Flash. Miss Martian has abilities mirroring those of Martian Manhunter (her uncle). Connor Kent is a clone of Superman. The roster also includes Robin (Dick Grayson version), a revamped Aqualad, archer Artemis, and magician Zatanna.


Batman: Brave and the Bold: This series gave us a goofy version of Batman who hung around with the DC B-list and fought against a variety of different villains. I loved this show when it was on (it aired its final episode last November). Brave and the Bold was sheer lunacy, and you didn't know what to expect from week to week. The show had an endearing charm and a sharp sense of humor punctuated by frequent guest hero Aquaman--who is the closest thing I've seen to the Tick in years. I really do wish this one were still on the air.


X-Men: The nineties Fox animated series was a sort of CliffsNotes for some of the most important storylines in the X-Men universe, including the Dark Phoenix Saga and Days of Future Past. The main lineup featured Cyclops, Wolverine, Rogue, Storm, Beast, Gambit, Jubilee, Jean Grey, and Professor X. Others like Colossus, Cable, and Nightcrawler also appeared in episodes, making this series a great introduction to the X-Men in general.

Monday, April 2, 2012

I, Crimsonstreak: Comic Influences


I, Crimsonstreak wouldn't be anything without the comic book creators who came before it. References and influences are intertwined throughout the novel. Here are a few worth pointing out.


Batman: Batman looms like a shadow over the criminal elements of Gotham City, and is a giant in the world of superheroes. References include excessively goofy gadgets (the Adam West Batman), a reliable British servant (Michael Gough's Alfred), a secret lair (the Batcave), and the sense of a brooding, serious, professional hero (pick any post-1980 Bat-era for that one). The Crusading Comet and trusty butler Morty are steeped in Batman-ness.


Superman: Superman stands for "Truth, Justice, and the American Way." He's the quintessential "tights and flights" superhero gifted with a wide array of impressive powers (flight, X-ray vision, freezing breath, super-strength, etc.). Colonel Chaos and Miss Lightspeed share many similarities with the Man of Tomorrow, although no one character in particular is intended to be a Superman clone or parody.


The Flash: Chris Fairborne is Crimsonstreak. He's not intended to be a parody of the Flash, but the character definitely has an influence on the protagonist. Super-speed, red color...it's impossible to miss the Flash's influence. If anything, Crimsonstreak is a tribute to the Flash, although the two are quite different.


Spider-Man: Spider-Man is a hero grounded in the mundane nature of life. While he's trying to stop his impressive rogue's gallery from destroying New York/the World, he's also dealing with common problems like romantic entanglements and financial difficulties. Crimsonstreak is cut from a similar mold, although his problems are a bit less common. Spider-Man brings an everyman sensibility to the comics, something that influenced Chris Fairborne's character.


The Shadow: No character in particular directly references the Shadow in the main narrative of the book. However, I love the pulpy feel of the character, and have few nods in the bonus material that definitely echo Shadow lore. The original Crusading Comet's outfit, for example, is a callback to the Shadow's flowing trenchcoat and wide-brimmed fedora.


The Tick: The book has a goofy sense of playfulness to it as far as superheroes are concerned. The Tick is a major influence on how I see the world of comics. My love for the character comes primarily through the TV show from the nineties, and I loved every minute of it. The Crusading Comet was nearly Die Fledermaus reborn before he evolved into a different type of character.


The Phantom: "The Ghost Who Walks" is another pulp hero sometimes forgotten like the Shadow. The 1996 movie with Billy Zane ("Slam Evil!" was the tagline) remains a guilty pleasure. The Phantom's legacy--sons/family members succeed previous Phantoms in an unbroken line--is exactly how the Kensington family has decided to operate.

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